the haiku gap.



An exploration of the application of cinematic techniques in realtime performance in public spaces whilst in residence at STSpot Yokohama and Kogane-Cho.

Audience members were guided remotely via telephone by a performer who followed them but remained hidden from sight. The audience’s route was a repeating loop through the Kogane-cho district. On each loop they would encounter a set of performed scenes, but on each repetition the scene would appear to be earlier in time.

Two audience groups were led simultaneously on overlapping routes, so at moments the audience would have the sense of seeing their own journey mirrored, a fleeting glimpse at the end of an alleyway.


























Written and composed by Sarah Anderson, Duncan Speakman, Machi Miyahara, Jinya Imai, and Tell-Kaz Dambala

Project supported by British Council Japan and ST Spot

Thanks to Manami Yuasa, Katsuhiro Ohira, Chika Sudo